12/20/2023 0 Comments The rolling stones aftermathAs Loog Oldham, said, “‘Goin’ Home’ was praised by fans, critics and peers alike as a standout event on the recording. “Better than anything they’ve done before”Īftermath is one of those albums that pushed pop in the direction of rock, no more so than with the song “Goin’ Home,” which, at over 11 minutes, signalled what lay ahead. The cover design was done by the band’s manager, Andrew Loog Oldham, who was credited as Sandy Beach.įor the US version of Aftermath, a color photograph by David Bailey was used, depicting the band against a blurred background that appealed to the psychedelic movement in America. The front cover photo for Aftermath’s UK release was taken by Guy Webster, a celebrity photographer who went on to take photographs of Presidents Reagan and Clinton. As Richards said at the time, “What made ‘Paint It, Black’ was Bill Wyman on the organ, because it didn’t sound anything like the finished record until Bill said, ‘You go like this.’” Different artwork Bill Wyman plays the bass pedals of a Hammond B3 organ by pummelling them with his fists, and Brian Jones plays sitar both add to the unique sound of this standout track. “Paint It, Black” was recorded at the same March 1966 session in Hollywood as much of the rest of Aftermath. The cohesion and overall sound and feel of Aftermath was improved by the inclusion of the band’s third American No.1 in less than a year. The US Aftermath also has one very significant track difference: it opens with “Paint It, Black,” a song that topped the Billboard Hot 100 on June 11, 1966, and stayed there for two weeks, and which provided the perfect springboard to launch the album into the US charts. The US Aftermath was edited at the insistence of London Records, who wanted the album to conform to the normal standards of the day – 11 tracks were enough for any fan, in the view of the label, who had also vetoed the original album title of Could You Walk On The Water? for fear of antagonizing religious groups in America. The US version of Aftermath differs from the UK version in one major way: it only has 11 tracks, whereas the UK version has 14. It was also the culmination of the adrenalin rush that had been the Stones’ first three years as a professional band: the pair infusing their songs with an attitude that has carried them through their entire career. Like its UK counterpart, the US version of Aftermath was a milestone for the band, in that it marked the first time that Mick Jagger and Keith Richards wrote every song on a Stones album. Listen to the UK version of Aftermath on Apple Music and Spotify.
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